The effects of color and gloss overlap each other and influence visual perception. Here, you can see a black and a blue paint drawdown with the same pigmentation, but different degrees of gloss. It is obvious that the side with the higher degree of gloss is visually perceived as darker and more saturated than the mat side.
The surface characteristics of a painted product greatly influence the first impression. For many products, consistent color and uniform gloss are important decorative quality criteria, which play a role in a purchase decision. One has to be aware that both effects are overlapping each other and influence the visual perception.

Figure 1 shows a black and a blue paint drawdown with the same pigmentation, but different degrees of gloss. It is obvious that the side with the higher degree of gloss is visually perceived as darker and more saturated than the mat side. For this reason, it is very important to measure both surface effects separately. Otherwise, the visible difference may be interpreted as a difference in color, although the real reason is a difference in gloss. For the manufacturer, the changes necessary to adjust the color are different from a gloss correction. The hue (color) is influenced mainly by the type or amount of pigmentation. Gloss is dependent on the degree of pigment dispersion, additives used, and application techniques.

On the first surface, part of the incident light is directly reflected following the reflection law: angle of incidence = angle of reflection. The directly reflected light is responsible for the image forming quality of the surface, i.e., how glossy and brilliant a surface appears.

Color and Gloss Measuring Instruments

How can both effects be measured? On the first surface, part of the incident light is directly reflected following the reflection law: angle of incidence = angle of reflection (Figure 2). The directly reflected light is responsible for the image forming quality of the surface, i.e., how glossy and brilliant a surface appears. The other part of the light penetrates the coating and is absorbed or diffusely scattered by the pigments within the mass of the material. This scattered light exits the coating and is uniformly scattered in all directions. The diffused component causes the color impression. Up to now, two instruments were required to measure color and gloss. In order to measure only color without any influence from the first surface reflection, color-measuring instruments with sphere geometry are being used. The sample surface is diffusely illuminated by means of a white-coated integrating sphere. Baffles within the sphere prevent the incoming light from directly illuminating the sample surface.

Baffles within the sphere prevent the incoming light from directly illuminating the sample surface. The reflected light is measured 8 degrees from the perpendicular.
The reflected light is measured 8 degrees from the perpendicular (Figure 3). In practice, the hue and lightness are determined using the standardized CIELab color system. In order to measure the directly reflected light, i.e., the specular gloss, reflectometers are used.

The intensity of the reflected light is measured in a narrow angle range. The measured values are not related to the amount of incident light, but to a black, polished glass standard with defined refractive index.
The intensity of the reflected light is measured in a narrow angle range (Figure 4).

The measured values are not related to the amount of incident light, but to a black, polished glass standard with defined refractive index. In order to obtain a good differentiation for high to low gloss surfaces, three geometries are defined (see Chart 1):

The following table shows the color as well as the gloss values of the mat and the glossy side of the black paint drawdown of Figure 1. The values clearly show that there is no difference in the hue. There is only a very slight total color difference of dE* 0.28 (see Chart 2). The visible difference is solely caused by the difference in gloss: 90.6 gloss units on the high glossy side and 2.5 gloss units on the mat side.

In order to completely describe and analyze visual mismatches, color and gloss need to be objectively measured. Today's modern technologies allow for both measuring systems in one instrument. The spectro-guide gloss from BYK-Gardner simultaneously measures color and 60° gloss according to international standards. This cuts the time for measurement and evaluation in half and optimizes process control.

This graph shows the results of an extreme accelerated weathering test with an alkyd resin. It is obvious that the 60° gloss value rapidly decreases and the color deviations dE*, dL*, and db* substantially increase.

Color and Gloss Measurement For Weathering Studies

The combined color and gloss measurement plays an important role in weathering studies for the development of new paint systems or for the evaluation of replacements of raw materials in existing formulations. External influences like UV light, temperature and humidity can cause the raw materials to degrade. This can lead to changes in color, loss of gloss, cracking, flaking, chalking, and other surface defects. Weathering tests are either carried out outside under natural conditions or in the laboratory using accelerated weathering tests.

Changes in color and gloss are determined by regularly comparing the weathered samples to the original standard. The total color difference dE* is usually evaluated. Acceptable changes depend greatly on the hue. Brilliant colors tolerate greater deviations than dark and achromatic colors. In order to obtain additional information about the yellowing of the hue, often the db* is documented. The b* value represents the yellow/blue amount, i.e. the greater the deviation on the b* value, the more the paint yellowed. In case of light colors the dirt pick-up is rated in addition. For this purpose, the change in lightness (L* value) is recorded. Figure 5 shows the results of an extreme accelerated weathering test with an alkyd resin. It is obvious that the 60° gloss value rapidly decreases and the color deviations dE*, dL*, and db* substantially increase.

Over-curing will reduce the gloss and the surface will appear mat. For this data, an industrial paint system was cured at 302°F (150°C). A combined color and gloss measurement shows that the color deviation of dE* = 0.5 measured with a sphere instrument is small and lies within the acceptable tolerance. The color is not off specification, but the gloss changed, which can be adjusted by reducing the oven temperature.

Analyzing, Optimizing the Process

Besides raw materials, process parameters in the paint production influence the appearance of the end product. Color, for example, greatly depends on the film thickness. Most of the products are pretreated and get darker thereafter. In case the film thickness is too low, the substrate will show through and influence the color. Furthermore, heat-curing systems (e.g., acrylic, polyester, epoxy or alkyd resins) are greatly influenced by the baking process: a chemical reaction between the raw materials occurs. Only the right curing process guarantees an optimally cross-linked paint system with the desired properties. If the temperatures are too high, there will be a yellowing or a change in the hue, because the pigments are only stable up to a certain temperature. The degree of gloss is greatly influenced on the cross-linking: not enough or too much. Over-curing will reduce the gloss and the surface will appear mat (Figure 6).

Weathering tests are either carried out outside under natural conditions or in the laboratory using accelerated weathering tests.
An industrial paint system was cured at 150°C. The visual comparison to the standard shows a reduced brightness and brilliance; i.e., seemingly a color deviation. However, a more detailed analysis with the combined color and gloss measurement showed the following result: The color deviation of dE* = 0.5 measured with a sphere instrument is small and lies within the acceptable tolerance. Visually the sample looks "lighter" caused by the reduced gloss value. That means the color is not off specification, but the gloss changed, which could be adjusted by reducing the oven temperature.

To assess product appearance, color and gloss measurements are needed. By knowing both values, the appropriate production changes can be made to maintain a consistent quality.